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    • Home
    • Dedication
    • Contact
    • Who is great
    • O You Great Kings
    • Ancient Iran gave world
    • Gundishapur university
    • Karnamag Ardeshir Papekan
    • Women's place in society
    • Khwarizmi,Naseredin Tusi
    • Jesus and Magi/ wise men
    • Persia and the Bible
    • Achaemenid Persia Bible
    • Fall of Nineveh. Bible
    • Persia 11-600 B.C. Bible
    • Persia 21-1400 BC Bible.
    • Christmas, birth of Mitra
    • Ctesiphon
    • Sassanian art, Taj Mahal
    • Forgotten heroes of Iran
    • Persian-Greek war, cause
    • The days of annihilation
    • Letter Rustam Farrukhzad
    • Pirs of Yazd
    • Days of resurrection
    • Prophet Zoroaster,Hafez
    • Ateshkadeh, prayers
    • Hakhamanishian monuments
    • Sassanian monuments
    • Cathedrals and Churches
    • Festivals of ancient Iran
    • Hakhamanishian gold
    • Sassanian artefacts
    • Carpet museum.Tehran
    • Traditional music
    • Dakhmeh
    • Jashn-e-Nowrouz

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Ahura Mazda

Ahura MazdaAhura MazdaAhura Mazda
  • Home
  • Dedication
  • Contact
  • Who is great
  • O You Great Kings
  • Ancient Iran gave world
  • Gundishapur university
  • Karnamag Ardeshir Papekan
  • Women's place in society
  • Khwarizmi,Naseredin Tusi
  • Jesus and Magi/ wise men
  • Persia and the Bible
  • Achaemenid Persia Bible
  • Fall of Nineveh. Bible
  • Persia 11-600 B.C. Bible
  • Persia 21-1400 BC Bible.
  • Christmas, birth of Mitra
  • Ctesiphon
  • Sassanian art, Taj Mahal
  • Forgotten heroes of Iran
  • Persian-Greek war, cause
  • The days of annihilation
  • Letter Rustam Farrukhzad
  • Pirs of Yazd
  • Days of resurrection
  • Prophet Zoroaster,Hafez
  • Ateshkadeh, prayers
  • Hakhamanishian monuments
  • Sassanian monuments
  • Cathedrals and Churches
  • Festivals of ancient Iran
  • Hakhamanishian gold
  • Sassanian artefacts
  • Carpet museum.Tehran
  • Traditional music
  • Dakhmeh
  • Jashn-e-Nowrouz

Sassanian and Hakhamanishian features of the Taj Mahal

After the city of Ctesiphon was destroyed by the Tazian in 637 A.D and it's rubble used as building material for the construction of Baghdad, many finer aspects of Sassanian design endured and were passed down the generations among later Persian architects.The architects of the Taj Mahal utilized these to their advantage. 

All domed buildings of the world owe their existence to Ardeshir-e-Papakan's invention of the squinch. This includes not only Asian monuments but even those in far away places such as St.Mark's cathedral in Venice.  The technique of floral inscriptions were similar, only the fauna was different. Shah Ardeshir is also credited with the development of the minaret.

The gardens of the Taj are in traditional Hakhamanishian Char Bagh fashion with fountains, running streams and shrubs to mimic the gardens of paradise. The first of these were the 10,000 square metre garden surrounding the Palace of Cyrus the great at Pasargad.  

 

The Persian architect’s song. 


Millennium ago, Tigris’ banks, resplendent city existed, Ctesiphon, 

Magnificent gardens, bewitching palaces, a beholder would swoon. 


Alas! it was destroyed, plundered, ruined, forgotten, sand covered, 

Indian king, Persian art, unique, singular, inimitable, discovered.

 

Unrivalled, unmatched, sepulchre, as homage for his beloved wife, 

Yamuna’s bank, my forefathers’ skill, art will bloom, renewed life. 


We’ll make, char bagh, in Cyrus’, Pasargad, of antiquity had been, 

With flowing streams, gushing fountains, only in paradise are seen. 


Besides streams, plant, sweet smelling shrubs, Persian lilac trees, 

Tomb’s walls embellish, venerable, majestic, noble, cypress trees. 


Persevering, untiring, from ceaseless toil, we do not cower, flinch, 

We’ll place a dazzling, ornate, incomparable, dome on its squinch. 


Only Persians in lifeless, passionless, stone, can compose a song, 

Tho’ fate hasn’t given us occasion, to construct a palace, so long. 


Scavenging for building materials, stones had Ctesiphon erased,

Architectural principles, unforgotten, far off monuments raised.

THE PERSIAN ARCHITECT OF THE TAJ MAHAL, USTAD AHMAD/ISA LAHURI UTILIZED MANY of the SASSANIAN ELEMENTS IN HIS DESIGN . THE TAJ IS EXACTLY THE SAME HEIGHT, 35 METERS AND ITS EXTERIOR design RESEMBLES THE TAQ-E-KASRA OF CTESIPHON. IT'S MINARETS LEAN AWAY FROM THE TAJ JUST AS THE ARCH OF CTESIPHON LEANS BACKWARDS SO AS NOT TO COLLAPSE TOWARDS THE MAIN BUILDING IN THE EVENT OF AN EARTHQUAKE. FIVE YEARS BEFORE THE TAQ-E-KASRA, ARDESHIR SHAH HAD DESIGNED THE SQUINCH, A SMALL ARCH TO BE PLACED across THE CORNERS OF THE ADJACENT RECTANGULAR WALLS TO PERMIT the PLACEMENT OF A DOME. THE SQUINCH IS VISIBLE IN THE TAJ ALSO. ALTHOUGH THE PALACE THAT ARDESHIR BUILT IN 224 A.D IS SUPPOSED TO BE THE FIRST BUILDING TO HAVE A SQUINCH, I SAW IT present AT THE QALAY-E-DOKHTAR/ TEMPLE OF ANAHITA HE BUILT 3 YEARS EARLIER at the tang-e-ab pass, which controls the road leading from shiraz to firuzabad. EVEN THE FLORAL MOTIFS OF THE TAJ mahal RESEMBLE THOSE BUILT AT CTESIPHON and taq-e-bostan of kermanshah, A MILLENNIUM BEFORE.

Shah Ardeshir used a squinch in 224 A.D to place a dome on rectangular walls at Firuzabad. squinches of 3.Niasar Ateshkadeh. 4,5. Taj Mahal, 6.St.Mark

    Floral patterns of Ctesiphon( 1,2,3) replicated in the Taj Mahal after a millennium( 4,5,6)

      Height, exterior of Taq-e-Kasra, Taj are similar. Cypresses of Ctesiphon, Taj, Persian lilacs at the Taj, which originated at Cyrus' palace. Pasargad

        Floral patterns . TOP: Ctesiphon. Bottom: Taj Mahal. Flora is different but the art is similar.

        Floral designs. top: Ctesiphon. bottom: 1,2:Taj Mahal. 3: Itmad ud Daulah. Agra

        First Char Bagh garden was made for the palace of Cyrus at pasargad.

          Cypress tree of Mobarrakeh near Yazd, 2. Cypress motif of Ctesiphon and 3,4,5. from Taj Mahal 6.Sassanian art restoration at the Taj.

            Sassanian art of the Taq-e-Bostan. Kermanshah still flourishes in India at the Taj Mahal.

              Floral patterns of the Taq-e-Bostan. Kermanshah( left) replicated at the Taj Mahal after a millennium.


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